Tech Specs

Dressing Rooms

Floor

Atmospherics

Lighting

There is a large control booth area the full width at the back of the theatre. It is isolated by glass windows, with five Anchor monitors, and has four window panels that can open. There is also a talkback mic from the light board. The booth is 82 feet from the Grand Drape, and about 12 feet above the stage floor. We have two ETC SR48AF racks in the booth, four SR24AF racks in the AP’s, for a total of 370 dimmers available, and a DR6 for the houselights and Unison controller. Many circuits have at least 2 drop cord pigtails and many have 2 outlets on each pigtail for a total of 4 receptacles per circuit. Maximum capacity per dimmer is 2400 watts. There is a 50-amp fused single phase disconnect and a 200-amp 3 phase cam SR.

The theatre is wired with 20-amp twist lock connectors in the “Old Code” configuration with the lug on the ground blade OUT. We have some adapters to stage pin and “U-Ground or Edison” plugs, and lots of cable and twofers.

Lighting Control Boards:

ETC Gio @5. With one 1X20 Eos motorized fader wing and two Dell 24" touch screen monitors. Our Gio @5 has four DMX 512 ports. It also has six - 4 port DMX/RDM gateways via ETCNet2 and one - 8 port Pathway DMX gateway. 24,576 outputs (currently configured to 34 universes). 32,768 Control channels, 10,000 cues, and 999 cue lists and much more.
The ETC Unison system. Runs parallel to DMX. Mainly runs house lights and classroom lights in non-show conditions.

DMX Nodes:

2 - 4 port Response MK2 gateways
1 - 4 port Net 3 ACN gateway
3 - 4 port Response DMX/RDM gateways
1 - 8 port Pathway Gateway

Lighting Equipment:

Lighting Positions Available

Balcony Rail
- Back of House 61′ from apron, ~12′ above stage
- 8 Dimmers 154-161 (4 outlets each)
- 1 Dimmer 162 (1 outlet in light booth) run to HL Balcony
2nd A.P. Beam:
- Over house 30′ from apron, 25′ above stage.
- 2 pipes here; one is outrigged.
- 12 Dimmers T1 – T12 (4 outlets each)
- 24 Dimmers 193-216 (1 outlet each)
- 1 Dimmer 148 (1 outlet center)
- SOCO 1+ 2:
  - 163-168
  - 169-174
- 1st A.P. Beam:
  - Over pit 10′ upstage of apron, 25′ above pit level.
  - 2 pipes here; one is outrigged.
  - 20 Dimmers 13 – 32 (four outlets each)
  - 24 Dimmers # 217-240* (1 outlet each)
  - 1 Dimmer 149 (1 outlet center)
- A – Bar (Apron Bar)
  - Over apron ~18″ upstage of pitrail, 19.5′ above stage
  - 18 Dimmers #175-192.
  - one - 4 port DMX/RDM gateway
  - This bar is dead-hung
- 1st Electric:
  - Light Bridge (2 pipes) 3′ and 5′ upstage of proscenium
  - 40 Dimmers 33 – 72 (4 outlets each)
  - 2 Dimmers 150-151 (2 outlets each)
  - one - 4 port DMX/RDM gateway
  - Circuits 43 & 44 are normaled as a Relay for LEDs and Movers
- 2nd Electric:
  - 1 pipe, at 11′ 10″ upstage of proscenium
  - 17 Dimmers 73 – 89 (2 outlets each)
  - one - 4 port DMX/RDM gateway
  - Circuits 83 & 84 are normaled as a Relay for LEDs and Movers
- 3rd Electric:
  - 1 pipe, at 23′ upstage of proscenium
  - 16 Dimmers 90 – 105 (4 outlets each)
  - one - 4 port DMX/RDM gateway
  - Circuits 93 & 94 are normaled as a Relay for LEDs and Movers
- Lineset 30
  - Iris Cyc lights normal here using SOCO O (349 - 354) & P (355 - 360)
- Louvres:
  - Stage left
  - 12 Dimmers 106-117
  - Stage right
  - 12 Dimmers 118, 119, 361-370
- Floor Pockets:
  - On-stage floor.
  - 44 Dimmers:
  - #241-262 SR
  - #126-145 and 152,153 SL
- Orchestra Pit
  - 2 Dimmers 146,147
- Pin Rail
  - 4 Dimmers 381-384
- Socopex
  - Hse right AP’s, next to dimmers: A, B, C, D, 265-288
  - Grid Above Stage:
  - A: 265-270 *
  - B: 271-276 *
  - C: 277-282 *
  - D: 283-288 *
  - E: 289-294 defaults to SR pipe
  - F: 295-300 defaults to 2A Elec
  - G: 301-306
  - H: 307-312 defaults to SL pipe
  - I: 313-318 defaults to SR Booms
  - J: 319-324 defaults to SL Booms
  - K: 325-330 defaults to Scoops
  - L: 331-336 defaults to 3A Elec
  - M: 337-342
  - N: 343-348 defaults to birdies
  - O: 349-354 defaults to CYC lights
  - P: 355-360 defaults to CYC lights
*duplicated by AP dimmers
- House Lights (Dedicated)
  - 7 Dimmers 385-391
- Lobby Lights (Dedicated)
  - 4 Dimmers 392-395
- Dimmers Dedicated to Class lights.
  - 5 Dimmers 5, 8, 11, 23, & 24
- 8 - 24 inch fifty pound booms bases.
- Note: Some dimmers are permanently assigned for lecture setups. 14 Dimmers are currently set aside for future expansion and 1 is a dedicated non-dim (cc20). Check with the T.D. before assigning dimmers, or just tell us what channels need to control what instruments and we’ll work out the dimmers

Projection

The Theatre is equipped with several projector options and a Blu-ray player with 7.1 stereo sound for movies. We are also capable of showing 16mm film, standard 2" x 2″ slides, and video projection for presentations. These are projected onto a 14' x 28' flown perforated front projection screen. The projection distance is 90 feet from the booth. The screen is 34 feet from the first row of seats. Other professional video equipment can be rented locally with notice.

Additional Equipment Available

2-Portable Projection Screen 10’6″ x 14′ Front projection only.
2- Rear Projections Screens (these are old and heavy, and will require advanced notice to set up)
5-Bakerwood DMX controlled projector dowsers

In the Projection Booth

1-Barco DP2K-10S DLP Cinema Projector with Barco Alchemy ICMP [9000 Lumens, (2,048 x 1,080) resolution, 1850:1 contrast ratio] pgBFL 70.0mm DLP Cinema 2.5 / 30.5-59.7mm, 0.69" S2K Zoom (2-3.9):1 Lens
CRU RAX215DC 1U RackMount 1- bay JBOD storage rack for digital movie content for playing DCP Content
1-Sanyo PLC-ZM5000L Projector [5000 lumens, WUXGA (1920 x 1200) resolution, 2000:1 contrast ratio]
1-Oppo BDP-93 Blue-ray Disc Player with 7.1 stereo audio
Panasonic PV660 4-Head HiFi Stereo VCR
1-Toshiba D-VR5SU (Combo VCR & DVD-R)
2-Eastman Arc Lamp 16mm Projector Model 25 (with electric changeover)

Also Available

1-Sanyo PLC-ZM5000L Projector [5000 lumens, WUXGA (1920 x 1200) resolution, 2000:1 contrast ratio] in second AP
4-Epson Powerlite 6110i [3500 lumen, XGA (1024 x 768) resolution, 600:1 contrast ratio]
2-Epson Powerlite 7700p with Long Throw Attachment Lens (ELPAL01)
[3000 lumen, XGA (1024 x 768) resolution, 400:1 contrast ratio] also have 1 (ELPAW01) lens
2-Kodak Ektagraphic III ATS slide projector
1-Toshiba W-627 4-Head HiFi Stereo VCR

There are also several DVD players rack mounted in the Sound Booth

1-Oppo BDP-93 Blue-ray Disc Player with 7.1 stereo audio (mounted in a portable rack)
1-LG BH200 Super Blu Player (combo Blu-ray & HD DVD)
1-Denon DN-V200
1-Panasonic DVD-RV32

There is closed circuit Television (CCTV) for the theatre and dressing rooms.

1-Sanyo VCC-HD4600 Camera
1-Sony CVX-V18NS (Nightshot Camera)
Various Samsung flat screen TV’s in the lobby and backstage.  Small TV’s in the dressing rooms

Other Equipment

50 - Black chairs, metal with cloth seats.
6 - 8-foot folding tables
10 - 6-foot folding tables
8 - Black plastic stanchions with chains
6 - Yellow Guidance Stanchions with Retractable Belt
pipe and drape • various table clothes and skirts (most are black)

Soft Goods

Sound and Intercom

There are six soundboards available for the Theatre:

Yamaha QL1: Features include 16 analog inputs, 8 analog outputs. This gives us 32 mono + 8 stereo input mixing channels, 16 Mix Busses, 8 Matrix Busses, 1 Stereo Bus, 1 Mono, and 1 Que This mixer lives in the sound booth at the rear of the auditorium, with a full audio patch bay and Qlab connected.

Yamaha QL5: Features include 32 analog inputs, 16 analog outputs This gives us 64 mono + 8 stereo input mixing channels, 16 Mix Busses, 8 Matrix Busses, 1 Stereo Bus, 1 Mono, and 1 Que With prior arrangement, this mixer can be set up in the house. This is designed to be used in conjunction with the QL1.

Allen & Heath 14:4:2+: Features include 14 channels, 4 submasters, mains, and six auxes (pre or post fader). This mixer is dedicated for classes and events with minimal sound requirements, and is positioned next to the light board operator. Also dedicated to this board is a Numark (MP 302) professional Dual MP3/CD player.

Older Boards:

Soundcraft K3 (with meter bridge): Features include 21 mic inputs, 6 stereo inputs (A or B), 8 groups, mains, and 8 auxes (pre/ post-fader selectable by pairs). These mixers are in storage in the booth at the rear of the auditorium. With prior arrangement, this mixer can be moved to where it is needed.

Equipment available:

1 - Yamaha Rio 3224-D2 downstage right.

1 - Yamaha Rio 1608-D2 Downstage left.

There are 6 – Whirlwind SPC83P-S 8 channel 3-way splitters (48 MICS) in the booth. These split the mic lines between the booth, FOH mix position and the stage for a monitor mix. Phantom Power is controlled by the splitter if you are not using the digital snakes.

Main Amps and Speakers:
- 5 - L'Acoustics LA4X - Amplified controller with PFC 4 x 1000 W /8 Ohms. Ethernet network. AES/EBU. US version
- 16 - L'Acoustics KIVA II - 2-way passive WST® enclosure: 2 x 6.5'' LF + 1.75 HF diaphragm (8 stage left , 8 stage right)
- 6 - L'Acoustics SB15M - High power compact subwoofer: 1 x 15'' (3 stage left ,3 stage right)
- 2 - L'Acoustics SB18 - High power compact subwoofer: 1 x 18'' (center stage in pit)
- 4 - L'Acoustics 5XT - 2-way passive coaxial enclosure: 5'' LF + 1'' HF diaphragm (front fills)
- 2-L'Acoustics A15i Wide - 2-way passive, 15"